Yemisi Shyllon, a leading art collector in Nigeria, begins the process of attracting scholars and researchers to the country’s cultural heritage.
By Sylvester Asoya
Yemisi Shyllon is a man of many parts. He has distinguished himself as a professional in areas such as engineering, law, marketing, stock brokerage and even administration and finance. Yet, art remains central to his life. Art actually began as a passion in his younger days as a secondary school boy decades ago. Today, this love has come to occupy a very important part of him.
At the moment, Shyllon, who is at best, an amateur artist owns the largest private collection of art works in Nigeria. And for many years now, he has opened his doors to art enthusiasts, students, scholars, researchers and the international community so that they can appreciate the wonders of African art and craft. But Shyllon is also living his dream, which is encapsulated in his mission to provide art and artistic recreational facilities, using Omo’ba Yemisi Adedoyin Shyllon Art Foundation, OYASAF, as a medium for promoting and positioning African art for a pride of place among peoples of the world. The collector also has a vision of making OYASAF a leading resource centre on the history, heritage and preservation of African antiquities, traditional and neo-traditional and contemporary art reflecting the creativity and dignity of the African.
Now, Shyllon is taking his campaign further, having realised that he could actually do more with the African paintings and sculptures in his private collection. To this end, he hopes to attract and retain researchers, institutions and curators who may be interested in conducting studies around his works. The collector is also desirous of exploring and generating opportunities which exist globally for research funding, workshops, collaborative exhibitions and seminars in relation to the art collections in his private gallery.
The foundation is determined to explore possible areas of collaboration with institutions interested in assisting OYASAF in its drive at becoming a formidable art centre with enough resources to promote Nigerian visual art in particular, and culture in general. This will culminate in OYASAF’s eventual linkage with global foundations and museums who would in turn, help in the development of visual art education in Nigeria.
To achieve these lofty objectives, Shyllon has called on the Nigerian media to partner with OYASAF for maximum effect. “OYASAF obviously needs the media for creating the necessary awareness as to its existence and possible role in helping it achieve its objectives. And this role cannot be overemphasised,” he said.
But why is Shyllon, a private sector individual celebrating the best of Nigerian visual arts and artists? “With our collections, we hope to be able to showcase Nigeria and to encourage Nigerians and non-Nigerians to appreciate Nigerian art. We also want to promote Nigeria away from the generally held opinion of everything negative being in Nigeria,” he told TheNEWS.
These are patriotic views no doubt. In other parts of the world where issues of arts and culture are taken seriously, Shyllon should have naturally attracted the attention of government. But he is deploying his energy and resources towards this campaign despite the obvious lack of support from the government of the day. In fact, on 20 August, as part of this celebration of the best of Nigeria’s sculptural works and paintings, OYASAF opened a major exhibition that brought together, great works from Nigeria and beyond at the National Museum, Lagos.
They included works by celebrated Nigerian artists such as Aina Onabolu, Ben Enwonwu, Yussuf Grillo, Abayomi Barber, Obiora Udechukwu, Edward Madukego, Bruce Onabrakpeya, Ade Glover and Uche Okeke, among others. There were also works from the new school represented by younger artists like Tony Emordi, Ndidi Dike, Kenny Adamson, Zino Orara, Olu Amoda and Nike Okundaiye. Founded on 27 October, 2007, Omo’ba Yemisi Adedoyin Shyllon Art Foundation is generating ideas in the arts and culture sector with a view to educating people on the rich Nigerian culture. At the moment, the foundation has about 60,000 pieces of antics dating from the 12th to the 15th centuries, to 20th century.
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